… some kind of special.
Curator & Writer | Hakan Burcuoğlu · Venue | Emily Carr University · Gear | Leica
He muses, holding in his palm a pillbox of larvae, frozen in time, suspended in amber. On his work desk, an ornamental mason jar; inside it, the tiniest mouse, decomposing and unrecognizable—gone to glory. Behind old Mickey sits a monolithic aquarium—a theatre of life, a harbinger of terminus. I’m out of place—awestruck—searching for familiarity. But for Garvin, none of this is farrago—it’s distilled melancholia, metamorphosis in miasma.
Artists are tempestuous, and Garvin’s chaos incarnate. But there’s a brand of fragility that accompanies the carnage—exemplified by the surrounding geography of his hometown Sherwood Park—an idyllic, Albertan hamlet nestled in between farm fields and oil country. The duality is real—his very parlance—and it’s moulded him into an artist with an astonishing ability for sway-and-flux, inherent in every brush stroke as he belabours the canvas—rigid yet fluid, forceful yet submissive, confident yet forever in doubt.
So here’s to SKETCHY—a revelatory new segment where we inveigh upon the realities of singular artists and their most peculiar feeding habits—be it spiritual, or nutritional. Artists need to eat, after all.